Living life on the edge of music
In many ways music has become progressively more aggressive over time. There will always be individuals who seek to push the boundaries, and others asking if we have finally hit rock bottom. With genres like powerviolence and grindcore is it even possible for music to be more extreme without seizing to be music? The bands featured on this split are certainly pushing the limit with their individual mixes of grindcore, noise and droning industrial. They call it noisecore, and the term says it all for this 8-band split album.
It all starts off with Culo from Chile. Culo delivers 18 songs coming in at almost 3 minutes. Their style is mostly headpounding noisecore with vocals screamed at the top of the lungs and saturated with inaudible guitars and blast-tastic (is that even a word?) drums. The Chilean band sets the tone, and from there grindmasters Disinterested Handjob from the land Down Under quickly follow with their 6 equally short bursts of musical rapidfire, though their general outlook is abit less noisy and more controlled than Culo.
The Equadorean band Menso Noise offers a lengthy track - almost three minutes! - mostly consisting of a guy talking in portuguese with concentrated blasts of grind. On the next quest to destroy music is the American band Gorgonized Dorks which is somewhat a surprise on this release as the music could probably best be described as industrial drony noise with occassional explosions of ear-tearing screams and distorted instrumentation. Quite apocalyptic, really.
It all starts off with Culo from Chile. Culo delivers 18 songs coming in at almost 3 minutes. Their style is mostly headpounding noisecore with vocals screamed at the top of the lungs and saturated with inaudible guitars and blast-tastic (is that even a word?) drums. The Chilean band sets the tone, and from there grindmasters Disinterested Handjob from the land Down Under quickly follow with their 6 equally short bursts of musical rapidfire, though their general outlook is abit less noisy and more controlled than Culo.
The Equadorean band Menso Noise offers a lengthy track - almost three minutes! - mostly consisting of a guy talking in portuguese with concentrated blasts of grind. On the next quest to destroy music is the American band Gorgonized Dorks which is somewhat a surprise on this release as the music could probably best be described as industrial drony noise with occassional explosions of ear-tearing screams and distorted instrumentation. Quite apocalyptic, really.
"Borderlining plain noise these two enemies of melody and harmony offer their cacophonous paroxysms of noise as a final prayer and sacrifice to the gods of noise."
Going in a different direction the Danish scat-themed grindcore band Fækal Omsorg (Fecal Care in English) are the only band on the release to have actual riffs and what could very well be actual song structures. The Danish toilet-warriors have a more well-defined sound and a much better vocal performance than most of the bands on the split.
Next comes Drongo, another Australian grind-mutant. Drongo's 11 cellphone mic-quality songs sort-of stand out from most of the music on this split by having parts that sound predominantly black metalish. The last two bands, the Americans "Infecting the Dissected" and "Video Nasty", are more of the obvious Anal Cunt worship that's generally going on here on this split. Borderlining plain noise these two enemies of melody and harmony offer their cacophonous paroxysms of noise as a final prayer and sacrifice to the gods of noise.
The average song length on the split can't be much, and it would seem that this tendency to blink-of-an-eye lengthed tracks is an ongoing trend amongst noisy grindcore bands. The influences from Napalm Death's first album "Scum" and the noisecore legends Anal Cunt are numerous and obvious, ranging from the songs that are barely even music to the "micro-songs" that have become so fashionable in grind music.
I must say that rating and grading a split like this is a rather troublesome task. The music is utterly chaotic and mind-numbingly vile, but since this is most likely the goal it would seem that the bands of the release have succeeded. And then, if I give them a low grade like 3 or 4, would it be seen as a great compliment or a grievous insult?
For the most part I'd say that it was very difficult to enjoy this split. Perhaps that was intended. Be that as it may, I enjoyed Fækal Omsorg's part and I was rather surprised to find that I also enjoyed the one track by Gorgonized Dorks. Add to that the fact that the split was released on glorious minidisc format, limited to 55 copies, and you've got yourself a real curiosity.
All in all I think this split deserves 3/10. Whether this is good or bad, I'll leave for the readers to decide.
Next comes Drongo, another Australian grind-mutant. Drongo's 11 cellphone mic-quality songs sort-of stand out from most of the music on this split by having parts that sound predominantly black metalish. The last two bands, the Americans "Infecting the Dissected" and "Video Nasty", are more of the obvious Anal Cunt worship that's generally going on here on this split. Borderlining plain noise these two enemies of melody and harmony offer their cacophonous paroxysms of noise as a final prayer and sacrifice to the gods of noise.
The average song length on the split can't be much, and it would seem that this tendency to blink-of-an-eye lengthed tracks is an ongoing trend amongst noisy grindcore bands. The influences from Napalm Death's first album "Scum" and the noisecore legends Anal Cunt are numerous and obvious, ranging from the songs that are barely even music to the "micro-songs" that have become so fashionable in grind music.
I must say that rating and grading a split like this is a rather troublesome task. The music is utterly chaotic and mind-numbingly vile, but since this is most likely the goal it would seem that the bands of the release have succeeded. And then, if I give them a low grade like 3 or 4, would it be seen as a great compliment or a grievous insult?
For the most part I'd say that it was very difficult to enjoy this split. Perhaps that was intended. Be that as it may, I enjoyed Fækal Omsorg's part and I was rather surprised to find that I also enjoyed the one track by Gorgonized Dorks. Add to that the fact that the split was released on glorious minidisc format, limited to 55 copies, and you've got yourself a real curiosity.
All in all I think this split deserves 3/10. Whether this is good or bad, I'll leave for the readers to decide.
3/10
Released in 2011 by Shit Music for Shit People
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What did you think of the split "8-Way for Destroy the Music"?
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What did you think of the split "8-Way for Destroy the Music"?
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