12 Dec 2016

Silent Carrion: "Suprematism EP I: Iupiter"

The project strays from its path but makes a slight return
Silent Carrion has always been progressive and boundary pushing. It's the bread and butter, the heart and soul of the project. An amalgam of trip hop, electronica, dark ambient, prog and trace amounts of a myriad of other components. Established upon the first release, Ruins, in 2010 in Northern Italy, 2013 welcomed the beginning of an EP-based trilogy starting with IUPITER, the first Suprematism EP to carry the project further.

Right off the bat the first Suprematism EP starts off heavier than previous Silent Carrion incarnations. Caustic aggression and hostile chaos ensues through heavily distorted guitars, programmed blast beats and an assortment of noisy invocations, a bleak piano sometimes finding its way through the cacophony. There is a rich theme of turmoil and anxiety embedded in this work, never resting at one stand point before finding new ground to test and break.

"Silent Carrion belittles the very notion that this could be classified as structurally sound."

But where previous efforts were finely balanced, well-adjusted dark symphonies of careful instrumentation, Suprematism's discord borders on the outright offensive. Noise and industrial, as genres, can achieve some sort of appeal through atmospheric courses and harsh moodsetters, but in that sense Silent Carrion belittles the very notion that this could be classified as structurally sound. Knowing the project peripherically, it's entirely possible that there is a point to be made when seen in the light of the entire EP trilogy, but at the time of writing that point is lost on me.

It is not until the final track (the live recording of The Ground Seems Hollow from Andras being considered a bonus track) that we can finally recognize the Italian ordeal. Silent Carrion has come full circle and yet again relies on synth-driven ambience, which again contrasts highly with the first ten minutes of IUPITER. There is little structure to be found, and even so the compositions don't even feel complex as much as merely disorganized anarchy, so at this point the EP is, in most aspects, rubbish.


Released in 2013 independently


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