Gestapolis: "Amagerland"

Amagerbro grindcore warmachine!

With grindcore it's no good to just claim something as being no-holds-barred, unrelenting, or extreme, because that's basically just the name of the game. There are other factors to take into account instead, otherwise you would just be describing every grindcore band ever.

Sangus: "Vengeful Brutality"

No holds barred, no corners cut, just survival of the fittest

Holding high the tatteret banners of thrash-encrusted black metal are Sangus of Rhode Island, USA. Vengeful Brutality seems a fitting title for the kind of furious black metal ablaze with the naked flames of crust punk that we find under their moniker. But the intensity of the raw abrasions comes at the cost of the atmosphere often found inherent in black metal, gambling with the wholesomeness of the debut, often making it a cacophonous mess of blasting drums and hostile guitars.

Uroboros: "Misantropía & Blasfemia" / "Herejía & Exilio"

Cyclopean riffs with ultra dense payoff

Straight from Buenos Aires in Argentina comes a roar of thunder through a night as black as tar. This uproar from the underground goes by the name Uroboros, and right off the bat their debut duo of EPs make most other newcomers of the genre seem like taciturn murmurs in comparison.

Non Opus Dei & Morowe: "Dziwki Dwie"

Impressive and different black metal from Poland, taking jabs at the inadequacies of the established scene

In the case of this split EP by Polish country-mates Non Opus Dei and Morowe there's a little more going on than the old "two bands getting together to release something" schtick. Non Opus Dei have been gracing Europe with several old school black metal albums since the late 90s, their sound representative for the time, if at times venturing further. Morowe, in the same manner, are a product of their times, only they are a much younger band. These guys are definitely not afraid of pushing the boundaries of black metal, and together these two groups represent old and new.

Rape On Mind: "Downwards"

Poland's worst export

Experimentation is the essence of progress, but experimentation with no goal in mind more often than not yields terrible results. While some are content with just fine tuning what has essentially been done before, that is something that Rape On Mind aren't about at all. Inducing a thought of "huh, I wonder where this is going", their Downwards album is definitely aiming to be different.

Oliver: "Mechanical"

Fans of retro-future synth music, behold!

Though the duo known as Oliver hails from Los Angeles, their sound could easily see them mistaken for a French house group, and indeed they compare favourably to the likes of Justice with a production job as crisp as the air on an exceptionally cold and dry winters day.

Incarceration: "Sacrifice"

The apex predator of death metal

Having garnered much praise through numerous reviews, the Brazilian/German death-thrashers Incarceration are now more or less a household name within certain circles of death. I had the extreme pleasure of witnessing their performance at the last edition of the Danish death metal festival, Kill-Town Death Fest, where they played the smallest stage, Dødsmaskinen. Witnessing their savage performance seemed like a privilege in itself, especially with frontman Daniel sporting his trademark grin throughout the show in front of a packed house. 

Plaguewielder: "Plaguewielder"

Varying depth and an unruly substance, Luxembourg's young ones are a strange lot

Formed in 2012 by Maxime Weber and Nicholas O'Connell, Plaguewielder is one of few bands hailing from the small European country of Luxembourg. Though they later signed with Horror Pain Gore Death Productions, it all started with this ambitious EP from 2013, which offers crushing guitars and surprisingly varied drumming.

Black Rock: "Black Rock"

Down to basics take on thrashy, blackened speed metal

Black Rock might be one of the most fitting band names in recent times; The Finnish crust punk and Hellhammer aficionados from the township of Hyvinkää take the term 'rock n roll' and extrapolates it to fit a blackened speed metal aesthetic coupled with a raw, shouting vocal style in a simple setting.

Frozen Realm: "Frozen Realm"

A closed fist in the face of their own heroes

Once the acoustic guitar intro to Frozen Realm's debut EP of the same name breaks into an orgy of flashy guitar melodies, there can be no doubt as to the nature of the Swedish band. Balls deep in the long-standing tradition of the Gothenburg sound, Frozen Realm break into full-fledged melodic death metal, complete with every element that the definition entails.

Uncoffined: "Ritual Death and Funeral Rites"

Murky horror worship of close-to international class

The perfect mix between the heaviness of doom metal and the rotten aggression of death metal can be hard to point out, and different ratios may work for different bands. Bands like Asphyx and Autopsy hit the nail straight on the head with their first try, and have been churning out kick-ass records every since. British death-doom practitioners Uncoffined subscribe to a slightly different style, more reliant on horror and down-trodden moods.

0 The Experiment: "Simplifying a Demon"

Experimental droplets of rain from a darkened cloud of mediocrity

Whenever a project labeled "drone" appears, my warning bells start ringing, as much too often the drone label has been used as a cloak for lazy songwriting, blaspheming against acts like Boris and Sunn O))). Supposedly the idea behind 0 The Experiment is seeing how far you can take music with just a bass. Though undoubtedly the result of long sessions of in-depth research and analysis - a daring and well-thought through hypothesis indeed - the answer to this conundrum seems to be "not very far".

Deathlord: "Maximum Perversion"

Irrefutable evidence that death metal doesn't need to be fancy

When you get down to business and back to basics with death metal, what you're left with is indisputable. Stomach churning vocals, gut wrenching instrumentals, loathsome melodies and ass kicking drums. It's been like that since day one with Possessed, Death and their lot. There's absolutely nothing abstruse or profoundly intelligent about it, and neither does there need to be. That is indeed the modus operandi of the Dutch band of death metal motherfuckers known as Deathlord. Even the name itself seems to be giving the finger to overly thought out metal.

Critical Insanity: "Through the Infinite Darkness"

Strange and unique take on thrash, but stumbling around in the dark

If imitation is the highest form of flattery, then Critical Insanity - a band of thrashing youngsters roaming the streets of Poland - haven't found anyone worth flattering. Or perhaps they've instead opted to truly try and be different, which in a way they have succeeded in with their 2013 full length demo Through the Infinite Darkness.

Menschheitsdämmerung: "Cleaver of Skies and Tenets"

With an instinct for majestic riffs and compelling material, the Belgian one-man army conquers most rivals

In an attempt to achieve unparalleled atmosphere in the name of depression and deep, dark forests, many modern black metal groups have taken to ridiculous amounts of distortion in what seems to be an almost deliberate attempt to obscure their own inability to write compelling material. Classics like Burzum's Filosofem had clear production with every instrument standing out, the compositions themselves easily holding their own regardless of sound. Xasthur's Telepathic with the Deceased may well be the album that for many people has incited this infatuation with thick shrouds of noise and an abundance of effects on vocals as well as strings, but even this modern classic has its obvious hooks and captivating passages.

Armagedon: "Thanatology"

Chugs and tremolos at the artist's discretion

Go digging around in Poland's heavy metal history and you'll come up with quite a few gems. Some, like Armagedon from Kwidzyn, have been hanging on since the 80s, during which time they released a few demos before their true debut Invisible Circle in 1993. The original crew broke up in 1994, only to re-emerge in 2006 for another hard hitting bout in the ring.

Lord Impaler: "Babylon Whore"

Many repeat offenses which would have, ironically, been more enjoyable in a more brief format.

Since 1998 the Greek group known as Lord Impaler have unleashed grueling black metal through several demos, finally culminating with severe force in 2011 in the form of the album Admire the Cosmos Black. 2013 saw them continue in the vein of smaller releases with the Babylon Whore EP; With a mere two songs to show, they make up for the short play time with immediate and unrelenting explosions of blast beats and tremolo riffs going the speed of a circular saw.

Bone Fragments: "Blood Spatter Bone Scatter"

The gimmick is the worst, and the music is almost as terrible. Spoilers.

Through a career spanning eight years Bone Fragments from moonshine country Virginia have produced a few albums of black metal with the theme of... Clowns and carnivals. I could scarcely believe what my eyes beheld in the promo material; A bunch of youngsters in varying degrees of clown-like get up, synth-based metal melodies washing ashore somewhere in the borderland between eerily cheery and creeping melancholy. With an initial reaction something along the lines of "you have got to be kidding me", the circus was on.

Cvinger: "Monastery of Fallen"

Corpsepainted, thunderous black metal - Melodies not allowed

Traditionally schooled, Slovenia's Cvinger weighs in with a heavy reliance upon the old customs of second wave black metal. Monastery of Fallen confidently builds on a foundation of cascading torrents of furious blast beats set to the cold moods created by the dogma of ruthless tremolo riffing, lead singer Lucerus' vocals chiming in with the raw doctrines of every black metal curse in the book.

Sporadic Slaughter: "Thoughts On Our Significance"

Technical enthusiasm and deathly disruptions

Though most bands aim to distinguish themselves from similar groups or from any obvious trends, whether they're following them consciously or not, but Sporadic Slaughter from Yorkshire, England, seem hellbent on shoehorning themselves in right among the rest of the half-technically alligned modern death metal bands of today.