TONEwood's Top 10 Non-Metal Albums of 2018

On a personal level 2018 has been one of the more stressful ones in recent memory for me, with the birth of my first child ranking as probably the biggest change in my life. The way your priorities change has definitely made it harder to find the time to delve into new music. Even so, I've managed to listen to hundreds of new tracks in 2018 - though my year-end list does definitely lean heavily toward bands and groups I was already acquainted with, and albums that released before I became a parent.

Sammal: "Suuliekki"

Brilliant fourth entry from Finnish prog-rockers

When a piece of music is excessively catchy it often comes with the issue that you grow tired of it quicker. Catchiness often comes from simple, repeated melodies and easy-to-follow song structures. But Sammal's brand of catchiness is a creature entirely different. Every time I receive a new Sammal release in my inbox, it takes exactly one listen to get the entire album stuck in my head.

TONEwood's Top 10 Non-Metal Albums of 2017

They say variety is the spice of life. For years heavy metal has been my go-to music style, and to this day it remains the style that I consume the most of. But even if heavy metal has numerous very different subgenres, there always manages to sneak a bunch of very un-metal albums into my consciousness. These are the Top 10 non-metal albums from 2017 according to the Gospel of TONE.

Astra: "The Black Chord"

Hyperbole aside, The Black Chord still stands as one of modern times' best prog rock albums, even 5 years on

Though arguably the decade of progressive rock was the 1970's, it's impressive to find that there are still being produced absolutely timeless and phenomenal prog rock albums 40 years on. San Diego's Astra is clearly Floydian in concept and execution, but there is so much more to their sound than a mere Pink Floyd clone.

Ozric Tentacles: "Jurassic Shift"

Obviously not completely hidden away, but nevertheless an oft overlooked classic

Though some consider them a mainstay in progressive and psychedelic rock, Ozric Tentacles remain one of the UK's best kept secrets. Their output since the 80s has been consistent in both volume and quality, with their trademark adventurous rhythmsection with overpowering melodies changing very little over the years.

2016 Top 10 - Part II: The Non-Metal Part

Here is the second Top 10 for 2016 - The non-metal part. Again, there has been several worthy contenders, and some must be left out. After all, there's not much sense in the end of the year list if you're not forced to make some choices. And in 2016, these choices are as follows:

Black Mountain: "IV"

The prominent Canadian band continues to experiment, but seem to have written their master thesis

With a few albums behind them, Black Mountain have never shyed away from blurring the already undefinable lines between drugged out indie rock and finicky stoner rock. Their latest effort, the fourth album IV, again shows that the group are constantly experimenting with their sound, while the half-psychedelic ramblings which is the core of their style remains largely the same.

Messenger: "Threnodies"

Immense sophomore effort from prog's shining star, a piece that is sufficiently on the heavy side to bring forth depth

The very nature of progressive music, or progressive rock for that matter, is always up for discussion. The concept is, in essence, hard to define. The still newly established Prog chart lists groups, musicians and bands from Radiohead, electronic music pioneer Jean Michel Jarre, heavy metal-rock leaders Katatonia and heavy metal warriors Grand Magus over avant-garde musician Brian Eno, progressive metal bands Dream Theater and Periphery, to classic acts like Electric Light Orchestra and Hawkwind. In the meantime, a new heavyweight in modern prog emerges from the shadows...

Anno Domini: "On This New Day"

Progressive folk rock for fans of the hard-to-find

Anno Domini are a well kept secret of the Irish 70s rock scene. The quartet only ever amounted to one LP and a single in '71 in the usual semi-progressive, folky, half-psychedelic sound of the early part of the decade. Fetching hundreds of Euros the two original pressings (on Deram in the UK and Polydor in Germany) are probably too rich for any but the hardest core of collectors. Should this be the case, South Korean label Wohn Records did a reissue in 2010 faithful to the original Deram pressing.

Edge of Haze: "Mirage"

Heavy rock and light metal in unison

Donning your heavy metal glasses, Finland has long had a tradition of esoteric death, gloomy death, upbeat folk and gothic symphonies of power. Edge of Haze, however, seem completely unwilling to adhere to any dogmas, metal or otherwise. Though their sound is fresh and modern, it is by no means a pandering to trend. On their 2012 album Mirage, the Finns reveal themselves to be a powerful quintet with influences that reach far beyond the realm of metal.

The Living Dead of Film Scores

The Living Dead of Film Scores

or: The Lasting Appeal and Influence of Horror Film Soundtracks

There is no way around it. The soundtracks and scores for films are among the most powerful pop-cultural rallying points, and have remained so for quite some time. In many ways they help define generations, while in other cases they transcend age groups. John Williams' Star Wars theme seems to be the prime example - Literally anyone knows it right off the bat. Let It Go from 2013’s smash hit Frozen lingers too, and will in all likelihood be this generation's Circle of Life (from The Lion King, duh).

Messenger: "Illusory Blues"

Highly recommendable variety in murky depths

Messenger from the UK may not have the most original of band names, but the trio played as warm-up on Katatonia's acoustic tour in England and comes recommended by none other than Kristoffer "Garm" Rygg of Ulver fame. Credentials like that aren't easy to come by, and with Messenger they seem very well deserved.

Blaak Heat: "Shifting Mirrors"

Ever-changing, tumultuous psychedelic prog aiming at the stars

Blaak Heat - Formerly known as Blaak Heat Shujaa - has been through a lot of changes in the short span of their career. Originally starting out in 2008, lead singer and guitarist Thomas Bellier is now the only remaining original member, the original bassist Antoine Morel-Vulliez and original drummer Timothée Gacon being replaced in 2014 and 2012 respectively. In a way the shortening of the band name reflects these changes, and ushers in a new era of blackened heat from the French-American trio.

Sammal: "Myrskyvaroitus"

Standing out with howling praise

A part of the struggle of participating in trends is standing out from the lot, and those that achieve this are ironically often those that give the trend the most unusual twist. The vast majority will suffer from being unimaginative and ordinary, which when done well may be a strength on its own. Often the boundary between blindly following a trend and expanding into new territory becomes blurred; At which point exactly does music go from simply paying tribute and drawing inspiration from something to discovering new areas to colonize? The Finnish band Sammal, who are with the release of Myrskyvaroitus now three releases into their journey, seem to be an example of this question.