TONEwood's Top 10 Albums of 2019

While preparing the write-up for my top 10 albums of 2019, I realised that most of the albums I had listened to only really felt like top 10 material because, as a whole, I haven't felt very strongly about many releases this year.

I had looked forward to the new albums by Tinariwen, The Budos Band, Death Hawks, Lord Gore, Power Glove, Black Mountain, Grand Magus, and more. But they all sounded aggressively "okay" to my ears.

So, rather than doing an elaborate triple-entendre of top 10 metal and top 10 non-metal albums and runner-ups like I normally would, I ended up deciding on a more concise 10 album format with 5 runner-ups.

TONEwood's Top 10 Metal Albums of 2018

For fear of sounding like a Jerry Seinfeld joke, what's with all the insane death metal albums this year? Though I consider myself to have a broad taste, my greatest worry in making this year's top 10 metal albums has been whether or not the list would be too samey. I decided that censoring or catering the list for any reason wouldn't be right - After all it should only be about which albums were best - subjectively, of course. Now the biggest challenge is gonna be varying the descriptions...

Dual Cassette Attack - Out July 16th!

New tapes out soon on TONEwood!

On July 16th TONEwood is releasing TT8-1 and TT9-1. The first of those will be Hiemal's 2017 one-track 40 minute album Vespéral, and the latter is Monarch's 2010 EP Netherthrone.

TONEwood's Top 10 Metal Albums of 2017

Following the format from 2016, I'll be making two separate lists for the end of 2017. One specifically for metal and its subgenres, and one for all other genres - including hard rock.

Acid Witch: "Evil Sound Screamers"

Long awaited return of the Detroit death rockers

Finally, a new album from psychedelic horror metal masters Acid Witch - and just in time for Halloween too! It's been a full seven years since the last full length album from the deadly quartet, though the mean time has seen a few minor releases like the ever awesome split with Nunslaughter and the 80s heavy metal cover EP Midnight Movies from 2015.

Argus: "From Fields of Fire"

The difficult fourth one? No chance, this is the confident next album!

Debuts are hard, the follow-up is tough and the third one perhaps even more so. So what do you do when you already have three exceptional albums in the bagage? If you do like Argus from Pennsylvania, USA, you keep on going with unabated ardor.

Seer: "Vol. III & IV: Cult of the Void"

Half great, half boring, all hard to determine

Seer is one of those bands that for all intents and purposes combines countless stylings together to form something unique. And true to this, Volumes III and IV are works that manage to sound completely new and incredibly well-known at the same time through just eight songs.

Mindkult: "Lucifer's Dream"

Timeless opium tunes at the edge of the cosmos

Looking for something that takes the edge off every day life? Then let Mindkult's cyclopean riffs crush you with sludgey heaviness instead of your day job and money troubles!

Temple of Void: "Lords of Death"

Hear and obey the gospel of the riffage!

While we grieve the loss of Lasse Pyykkö as the defacto vocalist of Hooded Menace, we can at the very least take solace in the fact that Temple of Void's newest album, Lords of Death, holds the death-doom torch high enough to burn the face of God.

Devil: "To the Gallows"

Devil's got what most forget - Heart and substance!

With their latest opus, To the Gallows, Norway's Devil continue to go out on various classic heavy and doom metal tangents with their own inspirations laid bare for all to see. 70's hard rock and early heavy metal is the name of the game, and it's a game that Devil play exceptionally well.

Swamp Witch: "Gnosis"

The soundtrack to your worst nightmare

Every so often a band will emerge with little to no warning and simply floor you with its sonic output. One such band is Swamp Witch, with their 2011 EP Gnosis, which forcibly injects tainted acid into the veins of the listener and sends them on a journey of murkey, distorted psychedelia.

Plaguewielder: "Plaguewielder"

Varying depth and an unruly substance, Luxembourg's young ones are a strange lot

Formed in 2012 by Maxime Weber and Nicholas O'Connell, Plaguewielder is one of few bands hailing from the small European country of Luxembourg. Though they later signed with Horror Pain Gore Death Productions, it all started with this ambitious EP from 2013, which offers crushing guitars and surprisingly varied drumming.

Uncoffined: "Ritual Death and Funeral Rites"

Murky horror worship of close-to international class

The perfect mix between the heaviness of doom metal and the rotten aggression of death metal can be hard to point out, and different ratios may work for different bands. Bands like Asphyx and Autopsy hit the nail straight on the head with their first try, and have been churning out kick-ass records every since. British death-doom practitioners Uncoffined subscribe to a slightly different style, more reliant on horror and down-trodden moods.

Asilo: "Comunión"

Sonic attacks on the mind

Turmoil breeds frustration and anger, which in turn breeds outlets for that frustration. South America has had a rich history dating back to the early 80s of metal bands expressing their anger through their music and lyrics, and like those legendary and trendsetting bands from the days of yore, the four-man group Asilo from Argentina presents a lyrical universe revolving around themes such as politics and the suffering it can bring, set to a soundtrack of furious and often dangerously calm mix of doom-laden drones drenched in grimy sludge.

Licrest: "Misery"

Oppressive and heavy in every aspect

For those not initiated in the cult and dogma of American musician Armon Nicholson, his body of work is impressive in size and stylistic span. Of all his projects, including blackened death-thrash project Only A Shadow Remains and many many others, his doomed-out death metal band Licrest is arguably the most well known.

Journey to Ixtlan: "Journey to Ixtlan"

An organic sound blanket that falls gracefully on the ground, covering everything in its mesa colours

Clay Ruby is undoubtedly most well known for Burial Hex (or one of the countless other groups he has been involved with over the years), and given his involvement in such a staggering amount of groups, bands and projects, most are bound to overlook the massively leviathan album that is Journey to Ixtlan.

Stromptha: "Necronirisme"

Embers burning beneath heaps of snow

There is undoubtedly some interest to be garnered just from being from a place as unusual as Greenland, and true, that was the very reason I sought them out. But Greenland with its vast vistas of nothing but ice, snow and barren rock should be as likely a place for cold hearted metal as any! Even so, the question remains if the compositions and execution stands on its own.

Rozamov: "Of Gods and Flesh"

Destructive and heavy, just the way it's supposed to be

Atmosphere ranks highly on the list of elements that define American stoner/doom metal band Rozamov's second EP Of Gods and Flesh. With massive walls of distorted guitars, gigantic monoliths of bass and drums, the quartet form a solid core of doom with mood-setting gusts of ethereal vapors around it.

2016 Top 10 - Part I: The Metal Part

2016 has been an incredibly strong year for music. Although we've had to say goodbye to several legends, many new hopes continue to arise and bring the sound and feeling that we crave.

I've had the chance to listen to a relatively high amount of new albums this year, and only few of the albums I was anticipating were disappointing. Of course choosing just ten was incredibly tough with many huge contenders sadly having to be left out.

Drug Honkey: "Ghost in the Fire"

Ample supplies of derangement in sonic form

Drug Honkey evolved from the 1997-project Chronic Illogic with Paul Gillis (also of Morgue Supplier) and Adam Smith at the helm, handling vocals and drums respectively. The band was designed to merge together several musical currents, most of which would be considered metal. Ever since the first album, the self-titled 2002 release, electronics in the form of excessive sampling and abrassive synths as well as an industrial, sludgy death metal sound have been the heart and soul of Drug Honkey. Through lineup changes and live performances the band from Chicago has endured to see several album releases, each one pushing the boundaries further than the last.