Nekrodeus: "Moloch"

Hardened death metal with a black core

I hate to start out a review with classic review tropes, but have you ever wondered what Nasum would sound like if Mieszko had had a hidden infatuation with black metal? Though Austrian quintet Nekrodeus have their roots in burly death metal, their debut full length - Moloch - is essentially a blackened version of Inhale/Exhale.

Malditos: "Le Réve"

Impenetrable storms of droning psychedelia

It should come as no surprise that an entity as eclectic as Malditos hails from one of musical experimentation's current strongholds, Oakland, California. Malditos is very much a mindset band. Their darkened, nocturnal desert drones are real party killers, but with the right state of mind and setting, Le Réve turns into a rich, nightmarish phantasmagoria cascading from the your mind's eye. The darkness painted by the Oakland tribe of artists is oppressively thick and impenetrable.

Bednja: "Doline Su Ostale Iza Nas"

Brooding darkness bisected by equal parts metal and hardcore

From the start it's clear that Croatian black metal practitioners Bednja aren't your average, garden variety black metal group. Though there is expansive tremolo riff-scapes aplenty, their mix also borrows heavily from modern hardcore, adding grooves and interesting melodies - as well as a more shout-oriented vocal style - to the concoction.

Triple Dungeon Synth Feature: Thangorodrim, Deorc Weg, Old Tower

Compulsory: "Gnosis"

An obscure gem from the cassette-age

When Gnosis came out in 1994 as Danish death practitioners debut demo, their style of specialised weirdening death metal was perhaps a bit late to the ball. After all, off-kilter death metal classics like Considered Dead and Piece of Time had already been out for a few years at this point. However, Compulsory's demo isn't without its own flair.

Gestapolis: "Amagerland"

Amagerbro grindcore warmachine!

With grindcore it's no good to just claim something as being no-holds-barred, unrelenting, or extreme, because that's basically just the name of the game. There are other factors to take into account instead, otherwise you would just be describing every grindcore band ever.

Excision: "The Drowning Tear"

A gem of death metal with few side steps

A band like Excision from Netherlands never really got an international break and is as such one of those well-hidden gems of the metal underground. Even a split with Paul Speckmann's Master from 1996 and the Dreamality full length album from the same year couldn't give them a true breakthrough, but there's some definite quality in their quirky darkness.

Muka: "Sveta Stoka"

While playing the imitation game, Muka found their own sound in tightly-knit chaos

Listening to Muka's 2017 EP Sveta Stoka at full volume allows one to fully appreciate their dissonant, intricate layering. Each track is a roaring flurry of bone-crunching processions, echoing efforts by bands such as Deathspell Omega, but never resorting to straight up imitation.

Redrum: "Power Corrupts"

Unpolished gem of old school thrash from when the genre was on its way out of style

Redrum from Sacramento, CA, should by connoisseurs be considered a classic underground American thrash band. They only ever released a handful of demos of varying quality, but the main attraction here is their one full length album Power Corrupts, which was re-released in 2007 by Evil Legends with new artwork (and thank god for that, 'cause the old artwork was terrible and speaks of a limited budget).

Uroboros: "Misantropía & Blasfemia" / "Herejía & Exilio"

Cyclopean riffs with ultra dense payoff

Straight from Buenos Aires in Argentina comes a roar of thunder through a night as black as tar. This uproar from the underground goes by the name Uroboros, and right off the bat their debut duo of EPs make most other newcomers of the genre seem like taciturn murmurs in comparison.

Rape On Mind: "Downwards"

Poland's worst export

Experimentation is the essence of progress, but experimentation with no goal in mind more often than not yields terrible results. While some are content with just fine tuning what has essentially been done before, that is something that Rape On Mind aren't about at all. Inducing a thought of "huh, I wonder where this is going", their Downwards album is definitely aiming to be different.

Plaguewielder: "Plaguewielder"

Varying depth and an unruly substance, Luxembourg's young ones are a strange lot

Formed in 2012 by Maxime Weber and Nicholas O'Connell, Plaguewielder is one of few bands hailing from the small European country of Luxembourg. Though they later signed with Horror Pain Gore Death Productions, it all started with this ambitious EP from 2013, which offers crushing guitars and surprisingly varied drumming.

Black Rock: "Black Rock"

Down to basics take on thrashy, blackened speed metal

Black Rock might be one of the most fitting band names in recent times; The Finnish crust punk and Hellhammer aficionados from the township of Hyvinkää take the term 'rock n roll' and extrapolates it to fit a blackened speed metal aesthetic coupled with a raw, shouting vocal style in a simple setting.

Frozen Realm: "Frozen Realm"

A closed fist in the face of their own heroes

Once the acoustic guitar intro to Frozen Realm's debut EP of the same name breaks into an orgy of flashy guitar melodies, there can be no doubt as to the nature of the Swedish band. Balls deep in the long-standing tradition of the Gothenburg sound, Frozen Realm break into full-fledged melodic death metal, complete with every element that the definition entails.

Theory: "The Art of Evil"

Far away from the usual dime-a-dozen prog bands of today

On a personal note, the only progressive metal band that ever truly spoke to me is Symphony X, and even so it is probably their power metal side that speaks the loudest. Oddly enough, I'm a huge fan of 70s and 80s prog rock, but the vast majority of progressive metal just hasn't appealed that much to me.

Forsaken Legion: "Seeds of Black Dawn"

Not exactly a forward-thinking piece of metal history, but not completely without flavour either

Once Switzerland was a place where legends formed, with Hellhammer - and subsequently Celtic Frost and Triptykon - being the reigning kings of metal there. Recently the country of Switzerland has begun stirring anew with the miasmic sounds of Bölzer resounding through proverbial catacombs. But enough talk of Switzerland's exports of metal - Everybody knows, or at the very least should know of, bands like Samael and Coroner. Let us instead deal with the Swiss underground, Forsaken Legion in particular.

Apokrifna Realnost: "Na Rekah Vavilonskih"

Little regard for current trends in what could be an obscure gem's second wind

It's time to practice some musical archeology - Apokrifna Realnost's only release, Na Rekah Vavilonskih, was originally released in 1988 in a strictly limited run of cassettes in lavish packaging. Now it has been unearthed and re-released by AnnapurnA in 2017, ready for its resurrection and, perhaps, long-due recognition.

Asilo: "Comunión"

Sonic attacks on the mind

Turmoil breeds frustration and anger, which in turn breeds outlets for that frustration. South America has had a rich history dating back to the early 80s of metal bands expressing their anger through their music and lyrics, and like those legendary and trendsetting bands from the days of yore, the four-man group Asilo from Argentina presents a lyrical universe revolving around themes such as politics and the suffering it can bring, set to a soundtrack of furious and often dangerously calm mix of doom-laden drones drenched in grimy sludge.

0 The Experiment: "Simplifying a Demon"

Experimental droplets of rain from a darkened cloud of mediocrity

Whenever a project labeled "drone" appears, my warning bells start ringing, as much too often the drone label has been used as a cloak for lazy songwriting, blaspheming against acts like Boris and Sunn O))). Supposedly the idea behind 0 The Experiment is seeing how far you can take music with just a bass. Though undoubtedly the result of long sessions of in-depth research and analysis - a daring and well-thought through hypothesis indeed - the answer to this conundrum seems to be "not very far".

Critical Insanity: "Through the Infinite Darkness"

Strange and unique take on thrash, but stumbling around in the dark

If imitation is the highest form of flattery, then Critical Insanity - a band of thrashing youngsters roaming the streets of Poland - haven't found anyone worth flattering. Or perhaps they've instead opted to truly try and be different, which in a way they have succeeded in with their 2013 full length demo Through the Infinite Darkness.