Sathanas Urine: "Everything You Need to Know About Witchcraft"

An exercise in the worst music has to offer

Some would argue that the purpose of metal in many aspects is the ever-ongoing chase for counter-culture, extremity and a level of aggression that most - even as rock music likewise has followed suit into heavier territory - would find offensive or even unlistenable. True to the blasphemic roots that drove early black metal, Sathanas Urine - from the Veneto region in northeastern Italy - search for the vilest and most far-away corners of music. 

Tormentstorm: "Into the Ominous Door"

Huge improvements that ultimately end up stranded in shallow waters

Most would probably agree that Tormentstorm's earlier outing, the Up From the Grave demo from 2012, was a misbegotten mess of black-thrash instrumentation. The demo was poorly received because it was poorly conceived. Tormentstorm's driving force, Malice, however, does not let himself sway easily, and as such returned the year after with a full length album.

The Budos Band: "Budos Band III"

Vast, boundless and brazen, a testament to the sexuality of music

The Budos Band is a Brooklyn gem. Nine members strong, they have through the course of a four album career toured the world and gathered a large cult following. Throughout each record the band, complex as their make up may seem with the throng of musicians taking up the stage, has evolved from an unrefined and budding entity to the full blown phenomenon we see today.

Avulse: "We Are All Code"

The prime example why focus is important

Patrick Hasson from Maine, USA, has numerous releases under his belt, in no small part due to his vast musical horizons which reach from doomy death metal (Black Chalice - Years of Flame, Prayers for Our Lord and Saviour, Submission) over neo-folk to black metal atmospheres (Auspicium). The next in line of Hasson's many projects is Avulse, marketed as a crusty black metal outfit with a firm punk vibe.

Stone Magnum: "From Time... to Eternity"

Let the demagogue spew his evil speech, and let the riffs fill you with hate

Doom metal is all about that thick, heavy feel that those big and bulky guitars can produce, and the tasteful aroma of riffs and melodies crafted with the utmost care, the striking of the drums like hammers on an anvil. Stone Magnum, from Michigan City, Indiana, have all those elements, and more, in ample amounts.

Messenger: "Threnodies"

Immense sophomore effort from prog's shining star, a piece that is sufficiently on the heavy side to bring forth depth

The very nature of progressive music, or progressive rock for that matter, is always up for discussion. The concept is, in essence, hard to define. The still newly established Prog chart lists groups, musicians and bands from Radiohead, electronic music pioneer Jean Michel Jarre, heavy metal-rock leaders Katatonia and heavy metal warriors Grand Magus over avant-garde musician Brian Eno, progressive metal bands Dream Theater and Periphery, to classic acts like Electric Light Orchestra and Hawkwind. In the meantime, a new heavyweight in modern prog emerges from the shadows...

Mind Affliction: "Pathetic Humanity"

Mindless ramblings that take form and wildly twist before condensing into Pathetic Humanity

The coal-filled soil of Poland is home to many well known, and of course many more lesser known, metal acts. From experience, the lesser known bands show a remarkably high level of musicianship and flair. Mind Affliction, who hail from the ancient city of Kraków, emerged from the rich Polish culture in 2009, though Mental Disorder - the band's first demo - wasn't released until 2011. Pathetic Humanity, released through Metal Scrap Records, was in turn unleashed in 2013, featuring two tracks that were in some shape or form originally featured on that first demo.